Nobody reads my book reviews anyway, so I figure it’s totally okay if I cheat and pile a bunch into one post. I just want a place to record everything I’ve read because otherwise I’ll pick up the same title five years from now and read it again, and seriously, there are too many books to read, I’m not reading something twice unless it changes my life in some way.
So here’s what I’ve been reading lately…
This novel about a young Anishinaabe woman returning to her family home after the death of her father reads more like a young adult novel with traditional characters from the spirit world coming to life to help her come to terms with her loss and save her community. Beautiful artwork throughout by the author. A good entry point for readers of colonial descent to learn more about First Nations culture.
The German Girl Armando Lucas Correa
Fascinating topic, but the execution is clunky. Based on the true story of the MS St. Louis, the ocean liner full of Jews fleeing Germany in 1939 that arrived in Cuba only to be turned back, with a mere 28 passengers (out of more than 900) permitted to disembark. Correa works to create many correlations between modern-day Anna and her great-aunt Hannah in 1939, but writing both parts in the first person voice offers little differentiation between the two character’s voices. Timelines feel off but work out as the plot progresses however there’s no clear answer to the main plot point of the story, which is why did Hannah’s mother, and Hannah herself after her mother’s death, remain in a country they hated, especially when they had the money to go to America after the end of WW2 and at the onset of the Cuban revolution? With better editing (again, this work is clunky, often slow, and long-winded) this could have been a great YA novel. Geared to adults, it’s less engaging, although, again the topic itself is both fascinating and horrible, so kudos to Correa for giving it light after so many decades.
Sweet Expectations Mary Ellen Taylor
A food-themed romance/chick-lit/mystery/ghost story that had a reasonable plot (even with the ghosts), but which was short on continuity and spell-checking. Seriously, this was published by Penguin, but was littered with misspellings that any version of spellcheck should have caught. Characters’ ages change from one chapter to the next. Most of it felt like an awkward first draft. I was ready to forgive the clumsiness until I discovered that this was the second in a series, and the synopsis for the first book sounds almost the same as the second, complete with a found object and a ghost who needs the heroine to unravel their mystery.
Like a good detective, she managed to slip in without us realizing. The Australian hit series Miss Fisher’s Murder Mysteries starring Essie Davis, based on the books by Kerry Greenwood were, for a time, only available in North America on the small UK-centric streaming service Acorn and select PBS stations. But once Netflix picked it up, many more viewers have become fans of the charming, rich and totally stylish lady detective of 1920s Melbourne.
While the plots are decent, and the simmering romance between Miss Phryne Fisher and Detective Jack Robinson make for enjoyable television, most of us, let’s be honest, are watching (and re-watching) for the incredible outfits by costume designer Marion Boyce.
There’s an absolutely brilliant interview with Boyce in Vanity Fair, discussing the many ways she’s had to adapt the costuming to accommodate the show (more pants than would have normally been worn, due to the very physical stunts, but no modern fabrics; a handbag that allowed easy access to Phryne’s gun), and why they couldn’t use actual vintage pieces.
I’m not much of a gal for beige, but something about this dress just makes my brain explode with delight. It’s probably the detailed ribbon work that makes up the tiny flowers. Or the idea of wearing a portable garden.