Book Review – Girl In a Band

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Girl In a Band
Kim Gordon

The most refreshing part of Girl In a Band is that Kim Gordon is a really great writer. Not that I’m surprised by that – she’s written pieces for a variety of publications over the years – but so many rock star autobiographies are stilted, repetitive and trashy. Gordon approaches the story of her life as a grand piece of art, with different elements, mediums and characters, that are all explored, and related to the audience, with sensitivity and care. (Okay, there’s a bit of trash talk about Courtney Love that seems as if Gordon gave in to an editor insisting that she share the dirt, but for the most part, that’s the only point where there’s mud flying.)

As a California girl from the late 60s, Gordon is no stranger to gender stereotypes and misogyny. While the title comes from the oft-asked question from media “what’s it like being… a girl in a band”, the bassist seems to not have experienced much sexism from bandmates and peers (or at least none that she’s related), although her experiences growing up with a schizophrenic brother often left her feeling that she had to take on the traditional female roles of being docile and supportive within her family. Add to that the spectre of Charles Manson, who Gordon references on multiple occasions throughout the book, and you can see how she entered adulthood with lots of questions about her identity and her role in the world.

While people will know Gordon first and foremost as a member of Sonic Youth, and the (ex)wife of bandmate Thurston Moore, music is just one of her talents – she admits it wasn’t on her radar as a career until she met Moore. Gordon is also an artist, fashion designer, writer and actress. Much of Girl In a Band explores Gordon’s other projects, touching on relationships forged in the art, fashion, and music worlds. In any other book, this would seem like name-dropping but in Gordon’s case, it’s just factual, and allows her to give props to the creative talents around her.

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Theatre Review – BOOM

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Rick Miller’s BOOM. Image from the BOOM website.

 

In my house, the correct answer to the question “Beatles or Stones?” is “The Kinks”; the defining event of 1969 is not the moon landing but the Tate-LaBianca murders by the Manson Family. Which is to say, and is probably said so often I might sound like a broken record, I don’t have a whole lot of interest in mainstream culture. Even if it’s from a different era.

For the Boomer generation, who are now well into retirement, the mainstream culture of their youth is what they’re now remembering fondly. Shake-ups, assassinations, fear of war, sure, but as a whole, the weird and wonderful bits of the era tend to be forgotten in favour of a sometimes idealized, sanitized collection of events.

Rick Miller’s BOOM, then, while brilliantly executed, visually breath-taking, and painstakingly researched, is the mainstream version of the Boomer story.

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