Billy By Numbers – or – How the Future Fascist State Will Control Us With Free Concert Tickets

billyidol
Photo credit: John Kenney / Montreal Gazette

1 sweaty t-shirt thrown to a fan in the front row
3 songs from the new album
2 Generation X tracks (one obscure) for the old punks in the house
4 costume changes
1 in-joke (in this case about Gordon Lightfoot and Massey Hall)
12 frisbees tossed into the crowd
2 of the biggest hits saved for the encore
1 rocker chick sitting backstage who looked like she had been time-warped from LA’s Sunset Strip circa 1987
20+ the number of times the name of the city of the current concert was said to the crowd

First off, don’t get me wrong, I dig Billy Idol. Idol was the first concert I ever attended, in 1984, and the imagery in his “White Wedding” video, full of Bat Cavers in black vinyl and religious iconography, was the impetus for me to become part of the punk/goth scene and thus, the person I am today.

But let’s not for a minute forget that Idol is a “rock star”. That concert I went to in the 80s – filled a 10,000 seat arena. More than he mastered singing and playing music, he mastered his persona. He is a celebrity. And undoubtedly revels in the power that comes with that.

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