Heather O’Neill’s unique voice makes for engaging storytelling. Her interest in telling the stories of talented or precocious children, with recurring themes of circuses, repressive living situations such as schools or orphanages, special powers, and life-long relationships, make for books that read very much like fairy tales. In the process of visualizing O’Neill’s words, I see her stories as if they were animations of drawings by Edward Gorey.
How We Lost Our Heads is a tale of two girls in late 19th century Montreal, a grave accident, and the separation and then coming together (twice) of these same characters. In the interim, they lead very different lives, and come to represent two different ways of looking at the world.
Last year, I managed to read 111 books. It was actually closer to 120 but there were a few I didn’t include on my big list, either for personal reasons (self-help or psychology books), or because I bailed less than halfway through. But I wanted to take a look back at my favourite titles and compile a Top 10. So here are my 10 favourite fiction books from 2017…
1. The Lonely Hearts Hotel
This was perhaps the most breathtaking book I’ve read all year. It had gangsters, nightclubs, masochistic nuns, millionaires, twists of fate, junkies, rollerskating, imaginary bears, bejeweled apples, a pair of young star-crossed lovers and… clowns. A dark, gritty story about a pair of children who meet in an orphanage and discover they have special talents, who are then parted and have to find each other again. O’Neill’s descriptions are gorgeously vivid, her metaphors like bits of poetry. Her female protagonist Rose kicks ass throughout the whole story, and I love that O’Neill has made her so strong, such a great survivor. I so want to see this made into a film.
2. The Napoli Novels
Counting these (as one entry) because I read 2 of the 4 in 2017. They’re fighting with The Lonely Hearts Hotel for 1st place, honestly. Read full review.
3. Men Walking On Water
An exquisitely woven story about Detroit-Windsor rumrunners near the end of prohibition. Schulz offers robust character development, a logical yet intricate plot, and a well-written, well-researched novel. Great flow makes it a quick read, even at over 500 pages.