Nowadays, so many people start blogs and then abandon them because they feel they have nothing to say. Even if we’re blogging about a popular subject such as food, odds are someone’s already said it before. That recipe, that interview, that perfect Instagrammable shot – they’re all already out there, so why bother?
But what about if blogging went back to a form of journaling? You know, like how we all started with LiveJournal some 15 years ago. I know what you’re thinking – because I didn’t really care about reading other people’s journals back then either. But some people do. There are writers, Alan Bennett for instance, who have made a hugely successful career simply by publishing their daily diaries in book form. I’ll confess that I don’t find Bennett especially scintillating, but I get the point of his work and of his desire to publicly document his life.
I never met Bill Cunningham. He never took my photo and published in in the New York Times. But like millions of people around the world, the news of his death at 87 this past Saturday brought me to tears.
He seemed – from the 2010 documentary about him and from the voice-overs he did for his weekly “on the street” column – to be a truly genuine person. Eccentric as all get out, but honest, humble, hard-working and funny. Cunningham had an eye, you see, that not so much noticed trends, but that started them. He photographed everyone from the rich to the poor, the only criteria being that they were wearing something unique and attention-catching. He had no interest in celebrity (“I’m not interested in celebrities and their free dresses. I’m interested in fashion!”), and would not take so much as a glass of water when photographing events – meaning he was free of any obligation to include anyone other than those whose style he felt truly inspired by.
Cunningham started taking street photography in the late 1960s and always worked in film, keeping the negatives of every photo he’s ever taken, filling row upon row of filing cabinets, documenting the changing styles of the street for half a century. He was apparently approached once to do a book based on his archive but later backed out. I dearly hope that whoever takes control of his estate recognizes the value of his work and finally turns those photos into a book.
Scratch that – I want a series of books. Hundreds of pounds of books – to rival that massive molecular gastronomy collection from a few years ago – that literally documents western street fashion for the past half century. Donate the proceeds to FIT or the Met, or use it to create scholarships in fashion and photography, just please, can we have something tangible to remember him by?
Some other people whose writing I admire have documented their meeting with Cunningham. Check these out if you want more on the mahvellous man and his work.
Northern Soul is a little film by director Elaine Constantine that came and went without so much as a whisper. Released in the UK in 2014, Northern Soul debuted in North America at TIFF in September 2015 and opened to a limited release in October, disappearing the following week.
In as much as the plot was formulaic, Northern Soul the film mostly flew under the mainstream radar because so few people (especially in North America) know what Northern Soul music actually is.
Northern Soul grew out of Mod, separated from its skinhead twin in style and sound but with much of the same working class attitude. In the wake of Motown and other successful US R&B labels of the 1960s, many smaller, much more obscure labels began recording, pressing extremely limited quantities of discs by artists who would, for the most part, remain unknown. In northern England in the late 1960s and early 1970s, while everyone else was listening to prog rock, pub bands and more psychedelic-oriented mainstream rock, working class kids in the north were listening to soul music, competing to find the most rare and obscure titles. DJs would travel to the US specifically to comb record stores to find even more rare discs.
Back in January, I posted a rant on TasteTO, asking where were the Canadian chefs, activists, TV shows and documentaries that would advocate for better food in our country, as is the case with chefs in the UK such as Jamie Oliver. I specifically called out CBC, suggesting that they should start running food-related documentaries, especially related to various political issues.
A couple of weeks ago I received an email advising me that CBC would be running a 4-part documentary series called The Great Food Revolution. The first two episodes ran last night, and the final two will run next week.
Now I know these docs had to have been in the works well before I posted my rant (part of the second episode was filmed at an event I attended in November – my chest makes a cameo appearance), so I really can’t bitch too much about the fact that they don’t exactly address the issues I mentioned. But part of the problem is, they don’t exactly address much of anything – and what they do address is kind of scattered and incomplete.
There’s a book called The Celestine Prophecy, a novel based on some new age spirituality, mostly rooted in some old spirituality. This post is not about that book, which has a number of detractors, as well as a number of fans, although having read the book, it’s what I tend to think of when coincidences occur.
Basically the premise of the book is based on 9 spiritual insights. The Third Insight – A Matter of Energy – is based on the theory that there are no coincidences, that things or people come to us because of a draw of energy, and the more times a theme occurs, the more attention, or energy, we need to focus on it.
No doubt every person has had the experience where something will come up in conversation, and then a day or so later, it will come up again. The phrase “speak of the devil” works on the same premise – you can be having a conversation about someone and then they’ll unexpectedly appear. These things happen all the time, but when they start happening in groupings, then it begins to get a little weird.
We spent Saturday in the darkened confines of Innis Town Hall, a theatre on the U of T campus, watching films from the Planet in Focus film fest. It was a very foodie day with very foodie films.
A Fallen Maple
The first film was called A Fallen Maple and looked at one family’s issue with lead content in the maple syrup produced on their farm. Turns out, while the maple syrup industry is highly regulated in Quebec and Vermont, in Ontario, this is not the case, and small family producers using older equipment often have problems with lead in their syrup. The only solution is to replace the entire production system, which, for this family, would have cost in excess of $100,000. The kicker is that the woman running the farm, one of the few women maple syrup producers in Ontario, had voluntarily agree to test the province’s “Best Practices” system, only to discover that they actually caused higher levels of lead in her syrup than she would have had otherwise. The maple syrup production, which had been in the family for generations, had to be shut down because they couldn’t afford to upgrade the equipment.