Book Review – Girl In a Band

girlinabandcover

Girl In a Band
Kim Gordon

The most refreshing part of Girl In a Band is that Kim Gordon is a really great writer. Not that I’m surprised by that – she’s written pieces for a variety of publications over the years – but so many rock star autobiographies are stilted, repetitive and trashy. Gordon approaches the story of her life as a grand piece of art, with different elements, mediums and characters, that are all explored, and related to the audience, with sensitivity and care. (Okay, there’s a bit of trash talk about Courtney Love that seems as if Gordon gave in to an editor insisting that she share the dirt, but for the most part, that’s the only point where there’s mud flying.)

As a California girl from the late 60s, Gordon is no stranger to gender stereotypes and misogyny. While the title comes from the oft-asked question from media “what’s it like being… a girl in a band”, the bassist seems to not have experienced much sexism from bandmates and peers (or at least none that she’s related), although her experiences growing up with a schizophrenic brother often left her feeling that she had to take on the traditional female roles of being docile and supportive within her family. Add to that the spectre of Charles Manson, who Gordon references on multiple occasions throughout the book, and you can see how she entered adulthood with lots of questions about her identity and her role in the world.

While people will know Gordon first and foremost as a member of Sonic Youth, and the (ex)wife of bandmate Thurston Moore, music is just one of her talents – she admits it wasn’t on her radar as a career until she met Moore. Gordon is also an artist, fashion designer, writer and actress. Much of Girl In a Band explores Gordon’s other projects, touching on relationships forged in the art, fashion, and music worlds. In any other book, this would seem like name-dropping but in Gordon’s case, it’s just factual, and allows her to give props to the creative talents around her.

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Picking and Choosing

I had an interesting conversation the other night with two different people involved with small independent bookstores. The conversation touched on how customers come into their respective stores and get upset when they don’t have something in stock. But as a small indie shop, they don’t have the space or budget to carry every single title in the genres in which they specialize. So they have to make a decision as to what makes the cut. And their customers mostly have to trust that judgment.

The art of curating (or editing) – it takes place all the time, in every industry, on every level. It’s somebody’s job to decide what products make it onto shelves and racks in various stores, what artwork is included in a show, what stories make it to the pages of magazines and book anthologies.

There’s a certain unfairness to it, of course – depending on the topic or product there might be 5 or 20 or 100 things that don’t make the cut for every 1 that does. This also comes with a lot of responsibility – woe be to the fashion buyer who chooses incorrectly and sticks her store with something that doesn’t sell – especially if it was ordered in the hundred – or thousands.

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