When We Lost Our Heads
by Heather O’Neill
Heather O’Neill’s unique voice makes for engaging storytelling. Her interest in telling the stories of talented or precocious children, with recurring themes of circuses, repressive living situations such as schools or orphanages, special powers, and life-long relationships, make for books that read very much like fairy tales. In the process of visualizing O’Neill’s words, I see her stories as if they were animations of drawings by Edward Gorey.
How We Lost Our Heads is a tale of two girls in late 19th century Montreal, a grave accident, and the separation and then coming together (twice) of these same characters. In the interim, they lead very different lives, and come to represent two different ways of looking at the world.
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The German Girl
Armando Lucas Correa
Fascinating topic, but the execution is clunky. Based on the true story of the MS St. Louis, the ocean liner full of Jews fleeing Germany in 1939 that arrived in Cuba only to be turned back, with a mere 28 passengers (out of more than 900) permitted to disembark. Correa works to create many correlations between modern-day Anna and her great-aunt Hannah in 1939, but writing both parts in the first person voice offers little differentiation between the two character’s voices. Timelines feel off but work out as the plot progresses however there’s no clear answer to the main plot point of the story, which is why did Hannah’s mother, and Hannah herself after her mother’s death, remain in a country they hated, especially when they had the money to go to America after the end of WW2 and at the onset of the Cuban revolution? With better editing (again, this work is clunky, often slow, and long-winded) this could have been a great YA novel. Geared to adults, it’s less engaging, although, again the topic itself is both fascinating and horrible, so kudos to Correa for giving it light after so many decades.
Mary Ellen Taylor
A food-themed romance/chick-lit/mystery/ghost story that had a reasonable plot (even with the ghosts), but which was short on continuity and spell-checking. Seriously, this was published by Penguin, but was littered with misspellings that any version of spellcheck should have caught. Characters’ ages change from one chapter to the next. Most of it felt like an awkward first draft. I was ready to forgive the clumsiness until I discovered that this was the second in a series, and the synopsis for the first book sounds almost the same as the second, complete with a found object and a ghost who needs the heroine to unravel their mystery.
Continue reading “March Reading List”