Book Review – Stir

stir

Stir – My Broken Brain and the Meals that Brought Me Home
Jessica Fechtor

In February of this year, I got knocked down in the street. A complete accident, it occurred as a woman was stepping out of a shop door and wasn’t watching where she was going. She slammed into my back and sent me flying, face-first onto the sidewalk. I walked away from the fall but was left with severe muscle tears and sprains, including both shoulders. On top of an already herniated disc in my neck, the combo left me useless in terms of cooking or housework for months. Even now (mid-July) my shoulders are still very fragile, having been re-injured a number of times when I overdid something such as lifting a too-heavy item or exercising too much, too soon.

Through it all, as my husband and I ate take-out or prepared food night after night for dinner, I desperately wanted to get back into the kitchen. But I couldn’t bend my head forward to chop, lifting stockpots sent me back to recovery, and even the repetitive action of hulling a bag of peas caused a major set-back. Of all the different types of illness and injuries I’ve had over the years, I’ve never gone this long without being able to cook.

So Jessica Fechtor’s story in Stir, of how a brain aneurysm that nearly killed her, also took away the thing she loved doing most, was very relatable to me. Not the nearly dying part, but definitely the part about wanting to get back into the kitchen.

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Review – Fixing Fashion: Rethinking the Way We Make, Market and Buy Our Clothes by Michael Lavergne

fixingfashion

Fixing Fashion: Rethinking the Way We Make, Market and Buy Our Clothes
by Michael Lavergne

There are plenty of books on the market bemoaning the sad state of the mainstream fashion industry from working conditions to the life-cycle of the average fast fashion garment. And while they are all well-written, carefully researched, and offer inspiration to change our shopping and fashion habits, most of them fall short on two counts – first because they are seldom written by someone with a first-hand, working knowledge of the apparel industry, and second, because while the suggestions for change are well-intended, they aren’t based in practicality.

Fixing Fashion by Michael Lavergne (Amazon) offers a different perspective. Lavergne made his start in the fashion industry working for corporations such as WalMart, and the apparel arm of Sara Lee. He specialized in product sourcing and supply chains (getting all the material to the right place at the right time and then getting the manufactured goods to stores halfway across the world in a timely fashion), and became an expert in labour and safety standards as he witnessed contractors and sub-contractors ignoring local laws (and corporate standards) regarding everything from wages to child labour to building codes.

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Chicklit Pulp Fiction – When Novels Are So Bad, They’re Good

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I don’t read a lot of pulp novels. There are so many great books being written all the time, it’s all I can do to keep up with new releases while fulfilling my desire for the “must-read” classics. The Corinna Chapman series by Australian author Kerry Greenwood is neither new nor classic, nor especially… good, but I am addicted to it as surely as I am addicted to chocolate or potato chips.

Greenwood is better known for the Phryne Fisher Murder Mysteries series. Converted to an Australian television series a few years ago, Miss Fisher’s Murder Mysteries has just completed its third season for a total of 34 episodes, many of which are true to Greenwood’s original novels. While Phryne madness hasn’t yet hit North America (the first two seasons are available on Acorn and Netflix), I’m predicting that we will soon go crazy for “Mees Fishah”, especially if the much-discussed US version ever happens.

In any case, I figured that if Greenwood was behind the creation of my favourite show and style icon, surely her mystery series about a baker would be right up my alley.

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Book Review – Darjeeling: The Colorful History and Precarious Fate of the World’s Greatest Tea by Jeff Koehler

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Twice as much tea is sold as “Darjeeling” each year than is grown on the 87 tea estates in the Darjeeling region of India in the Himalaya mountains between Nepal and Bhutan.

This “champagne of teas” is much coveted, and factors such as weather, politics and working conditions mean that tea sellers are more than willing to blend the lesser batches of Darjeeling with other black teas such as Assam, both to make a buck and to meet customer demand.

Most Darjeeling tea is sold as a single estate product, and is one of four “flushes” that occur each growing season. The tea bushes must be picked (or rather carefully hand plucked) weekly, and starting in the spring, will be categorized as one of four flushes: first, second, monsoon or autumn, each with their own unique flavours and characteristics.

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If I Knew You Were Coming I’d Have Baked a (Local, Historical, British) Cake – Book Review – A Slice of Britain

slicebritainI blame Nigel Slater. Were it not for his BBC show back in November, Nigel Slater’s Icing on the Cake (the third in a series that also includes candy and biscuits), I’d never even have heard of Caroline Taggart’s A Slice of Britain. But in his search for British cake, Slater encountered Taggert and her recent book, and he interviewed her for the show.

I must have this book, I exclaimed, and promptly ordered it from Amazon UK. Then when it arrived, I proceeded to sort of ignore it for a few months, reading it in short bursts but not really enjoying it. To be fair, as a purchased book, it became my default reading when I didn’t have a library book or a book for an assigned review on the go. As well, injuries sustained to my neck and shoulders in February actually made it hard for me to hold a book for a month or so, which meant that Taggart and her cakes were sorely neglected. It didn’t help that I wasn’t originally enamoured with Taggart’s writing style – it felt too “bloggy”; a string of personal experiences as she travelled England, Wales and Scotland, searching out local baked delicacies, as opposed to a more factual, third person account with a clearly outlined history of each cake.

Determined to give it a second chance, I sat down again recently and plowed through half the book in an afternoon. Taggart’s chatty style grew on me and I found A Slice of Britain to be an enjoyable read. The idea to look up each cake on Google as I read about it helped immensely. Taggart includes recipes for many of the cakes she discusses (and “cake” is a loose term here – the book includes everything from scones to cookies/biscuits and full on cakes such as the ubiquitous Victoria sponge, as well as things we’d classify in Canada as a “loaf”, plus some candy items that are made in cake form), but with so many British cakes containing roughly the same ingredients, a visual aide (the book contains sketches but no photographs) was incredibly useful in determining the difference between, say, a Bath Bun and a Lardy Cake. Because, make no mistake, the Brits, or at least the ones in olde tymes in charge of making cakes, surely did love their raisins and dried fruit.

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Review – The Language of Food: A Linguist Reads the Menu by Dan Jurafsky

language-of-foodThe Language of Food: A Linguist Reads the Menu
by Dan Jurafsky
W. W. Norton & Company, 2014

Fresh. Delicious. Perfectly cooked (oh, how I hate that one). The way we talk about food, especially how it’s described on menus, plays a huge role in how much we’re going to end up paying for those same dishes.

Dan Jurafsky’s amusing and informative book The Language of Food looked at thousands of menus from all types of restaurants. Fancy restaurants with “five-dollar” words on the menu charge more money for their dishes, But beware any place telling you the food is fresh, real (as in maple syrup), or crispy – because don’t you already assume that the food in restaurants is fresh and real? As Willy Shakes said, “I think thou doth protest too much.”

Menus aren’t the only thing Jurafsky, a professor of linguistics at Stanford University discusses in his book. He spends a lot of time looking at the origin of food words and how they morphed as food culture was carried with explorers to new countries. Ice cream, for instance, started as flavoured syrups used in drinks in the Middle East and Persia. Then the Chinese discovered that salt-peter used in gun powder made ice really, really cold and that process also moved east where it was used on those syrups to make the frozen treat sherbet. It didn’t take long for someone to start flavouring milk and cream and using the same process, and voila – ice cream.

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The Girl in Dior by Annie Goetzinger

dior1While it’s often easy to think of fashion as mere frippery, looking back on changing styles reveals a clear indication of society’s attitudes and politics of a particular era. As the western world adjusted to peacetime after a long and terrible war, women were trying to find their new place in society after years of fashion freedom in which they wore slim, close-fitting dresses and even trousers, and worked in factories doing jobs typically belonging to men.

Christian Dior’s New Look of 1947, while offering a whole new silhouette of gorgeous, glamourous dresses, was met with mixed reactions. French fashionistas with money adored the wasp waists and voluminous skirts, but most women, Americans especially, rejected Dior’s designs as restrictive (back to corsets and garters instead of comfortable pants) and pretentious.

The Girl in Dior (Amazon, Powell’s) gives us an insider’s view of the designer’s atelier during this time. The fictional Clara, a fashion journalist assigned to cover Dior’s show, causes a stir when a photo shoot goes wrong, inadvertently pitting models dressed in expensive gowns against impoverished people running market stalls.

The job gets her fired but Dior takes pity on her and she becomes one of his top models; going on to meet her future husband, she moves from Dior model to Dior customer.

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Why We Should Mourn For Worn

I’m not sure how I missed the boat when it comes to Worn. I had always sort of known of their existence, but maybe I wrote them off as being a bit too indie girl twee or something. Or wrote myself off as too old, since it seemed directed to a younger demographic. In fact, I don’t recall actually picking up an issue until I came across a volunteer manning a table at City of Craft a few years back. I bought a couple of issues and even met with editor Serah-Marie McMahon, who was kind enough to offer me some wise advise regarding indie magazine start-ups (I was considering starting a food magazine at the time), but maybe because I assume that, despite (or because of) my own rockin’ style, fashion magazines have little to offer me, I never followed through on keeping up with new issues.

I even missed the publication of the Worn Archive in the spring of 2014, and it wasn’t until the fall when McMahon announced Worn was shutting down operations (the project had always struggled financially), that I clued in and bought the book.

And then I realized what I had been missing.

Because Worn is everything most of us who don’t care about “fashion” actually want a fashion magazine to be. The photo shoots are modelled by Worn staffers and volunteers (Wornettes) – regular-sized folks of various ages and sizes, usually wearing their own clothes. No, you can’t rush out and buy that exact outfit from a store – but that’s the point – Worn is more about personal creativity and inspiration that being able to “shop that look”.

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Arthur Elgort’s The Big Picture

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The photographs are, of course, iconic. As in, I remember exactly where I was when I opened that September 1991 issue of Vogue to flip to the page of Linda Evangelista kicking that bagpiper (plaids are hot for fall, ladies!). But Arthur Elgort’s The Big Picture (Amazon, Powell’s) is about more than pretty fashion models.

Oh, there’s plenty of them there, dating back to his first shoot for British Vogue in 1971, and there’s a sub-theme in The Big Picture that is really the history of haute couture from the 70s forward, as the photographer worked with not just Vogue but Interview, GQ, Life and Rolling Stone, and shot advertising campaigns for Chanel, Valentino and Yves Saint Laurent.

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A Food Writer’s Favourite Food Books

fashionable880If you ask most people, their best-loved books about food are probably cookbooks. They likely don’t actually cook from these tomes but rather consider them light entertainment, to be read in bed, provoking dreams of meals they’ll probably never prepare. As someone who spends most of the day reading and writing about food, books have to have a unique point of view or subject matter to catch my interest, and especially to earn a permanent spot on my shelf.

These are a few of my favourites, chosen mostly for their diversity in demonstrating different styles of food, cooking and eating. There are no celebrity names here, no flashy TV shows to help sell these titles, and no well known food writing personalities, but I think they cover an interesting cross-section of food writing and food history.

bakingbioBaking as Biography – A Life Story in Recipes by Diane Tye
What if the person whose cooking you most admire actually hates to cook? Diane Tye relates the story of growing up as the daughter of a minister in 1970s New Brunswick. Her mother, responsible for preparing food for weekly church functions, drew on recipes from various sources depending on who she was cooking for. Tye’s narration is sometimes clinical, observing food trends as they related to social norms, and sometimes familial and romanticized as she discusses her mother cooking dishes for the family. The book is often uneven as Tye relies too much on interviews with family members as opposed to either strict analysis or her own personal memories, but it’s such a vividly accurate picture of foodways in Atlantic Canada that it is one of my favourite food books.

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