review – Page 9 – Sheryl Kirby

Book Review – Girl In a Band

The most refreshing part of Girl In a Band is that Kim Gordon is a really great writer. Not that I’m surprised by that – she’s written pieces for a variety of publications over the years – but so many rock star autobiographies are stilted, repetitive and trashy. Gordon approaches the story of her life as a grand piece of art, with different elements, mediums and characters, that are all explored, and related to the audience, with sensitivity and care. (Okay, there’s a bit of trash talk about Courtney Love that seems as if Gordon gave in to an editor insisting that she share the dirt, but for the most part, that’s the only point where there’s mud flying.)

As a California girl from the late 60s, Gordon is no stranger to gender stereotypes and misogyny. While the title comes from the oft-asked question from media “what’s it like being… a girl in a band”, the bassist seems to not have experienced much sexism from bandmates and peers (or at least none that she’s related), although her experiences growing up with a schizophrenic brother often left her feeling that she had to take on the traditional female roles of being docile and supportive within her family. Add to that the spectre of Charles Manson, who Gordon references on multiple occasions throughout the book, and you can see how she entered adulthood with lots of questions about her identity and her role in the world.

While people will know Gordon first and foremost as a member of Sonic Youth, and the (ex)wife of bandmate Thurston Moore, music is just one of her talents – she admits it wasn’t on her radar as a career until she met Moore. Gordon is also an artist, fashion designer, writer and actress. Much of Girl In a Band explores Gordon’s other projects, touching on relationships forged in the art, fashion, and music worlds. In any other book, this would seem like name-dropping but in Gordon’s case, it’s just factual, and allows her to give props to the creative talents around her.

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Book Review – The Bag I’m In

The Bag I’m In
Sam Knee

Music and style – they go hand in hand. Youth culture through the decades has always consisted of a specific type of music paired with specific sartorial elements that defined each trend. Imagine A Flock of Seagulls in anything other than the winged hairdos and the snap-front overlapped shirts or Kurt Cobain without his ratty sweater.

From the 1960s to the early 1990s, music and style in Britain changed so rapidly that it must have been hard to keep up. Movements around a particular scene (punk, for instance) gave way to styles associated with specific bands, record labels, and clubs (Smithsmania, The Postcard Look, and the Blitz kids, specifically). Many of these scenes were short-lived, many morphed and melded, punk being the seed for almost everything that came after it, and some even came back around as revivals of themselves after a few years.

Documenting all of this is Sam Knee. Himself a life-long Mod and vintage clothing expert, Knee’s book The Bag I’m In documents 36 “youf” cultures of Britain between 1960 and 1990, all of which were associated with a specific genre of music and a specific style of dress. Starting with Mods and Rockers, Knee moves through Hard Mod to get to the original Skinheads, looking in on Beatniks, Boho/Art School and Hippies along the way. He traces the move through Punk to its various offshoots (2nd Wave, Goth, Crust, Anarcho…) and then the influence of indie labels and New Wave.

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Book Review – Fear and Clothing

Fear and Clothing: Unbuckling American Style
Cintra Wilson

Style is the collision point between our fantasies of who we are, the larger realities we live with and the way we are perceived by others.

As much as I appreciate the sincerity and empowerment behind style campaigns like #fuckflattering or “I wear what I want”, I almost always find the idea disingenuous. We don’t always wear what we want, because of various extenuating forces, and if we do, we’re seldom aware of the message we’re sending out to others via our choice of garments.

That’s not a bad thing – more power to the person who can go through life giving no shits about how they present themselves. But for most people, their first impression of others is intrinsically linked with appearance, especially clothing. Which is to say – every outfit is a complex story about the wearer, a story with a different plot based on who’s interpreting the information provided.

This is the basic premise of Cintra Wilson’s Fear and Clothing: Unbuckling American Style in which the fashion and culture writer, known for her witty, occasionally caustic snark, travels across the US, documenting regional style. From the colourful clothes in Miami to the all-black enclaves of artists and other alternative types in coastal towns like New York and San Francisco, to the power dressing of DC or the celebratory, over the top hats at the Kentucky derby, Wilson examines the cultural factors that create definitive local style.

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Book Review – Pretty In Punk

Pretty In Punk
Alyce Benevides and Jacqueline Milles

Make stuff. It comes up every year at this time, one of the regular resolutions – be more crafty, make more stuff. DIY, y’know? And as far as resolutions go, it’s not a bad one. You get the sense of accomplishment of making something with your own hands, you get a cool, thing, made exactly to your measurements and specifications, and you (probably) save some money over buying a similar thing in a store.

I picked up Pretty In Punk on a whim. It came up in a library search and I grabbed it thinking it would be a good chuckle. Published in 2007, it caught that first wave of young hipsters who had started to learn the craft skills they were never taught as kids (as opposed to Gen X – most of whom could at least do some basics because we still had Home Ec and industrial arts when we were in school).

Created by Alyce Benevides and Jacqueline Milles, Pretty In Punk includes patterns for items from their popular Knit-Head line and shop, including their signature Punk’s Not Dead earflap hat with fringe mohawk.

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Film Review – Northern Soul

Northern Soul is a little film by director Elaine Constantine that came and went without so much as a whisper. Released in the UK in 2014, Northern Soul debuted in North America at TIFF in September 2015 and opened to a limited release in October, disappearing the following week.

In as much as the plot was formulaic, Northern Soul the film mostly flew under the mainstream radar because so few people (especially in North America) know what Northern Soul music actually is.

Northern Soul grew out of Mod, separated from its skinhead twin in style and sound but with much of the same working class attitude. In the wake of Motown and other successful US R&B labels of the 1960s, many smaller, much more obscure labels began recording, pressing extremely limited quantities of discs by artists who would, for the most part, remain unknown. In northern England in the late 1960s and early 1970s, while everyone else was listening to prog rock, pub bands and more psychedelic-oriented mainstream rock, working class kids in the north were listening to soul music, competing to find the most rare and obscure titles. DJs would travel to the US specifically to comb record stores to find even more rare discs.

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Book Review – Punk Books For Kids

One of the toughest things for the still weird is explaining to their kids (or grandkids) about punk or the other sub-cultures that remain a big part of our lives. This gets easier with books written specifically for kids, and there are a small handful that do a great job of explaining different aspects of the scene in different ways.

Happy Punks 1 2 3 by John Seven & Jana Christy ** is a bright and colourful introduction to punk. Geared to younger readers, the book’s purpose is to teach counting, but does a great job of celebrating the punk scene and its original diversity and openness with a number of colourful characters and situations. The punks go thrifting, hang posters for a show, and go to a concert. The text is simple, yet captures the punk attitude, and Christy’s vibrantly-coloured images evoke the fun and excitement of the scene.

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Book Review – Mad World: An Oral History of New Wave Artists and Songs That Defined the 1980s

Mad World: An Oral History of New Wave Artists and Songs That Defined the 1980s
Lori Majewski and Jonathan Bernstein

Lipstick, big hair, floppy shirts and synthesizers. “New wave” was a unique trend that was the conglomeration of many things – punk, post punk, new romanticism, technology and attitude. And in the early 1980s it defined a generation.

While bands were always making albums, the genre was defined mostly by singles – songs with a quality that stood out as a representation of a band (especially a new band) and helped to sell both albums and concert tickets as well as the 7-inch single itself. While some bands exist only as one-hit wonders, others have used their success in those early days to create music – and careers – that spanned decades.

Mad World by Lori Majewski and Jonathan Bernstein is a collection of those songs in book format, each with an introduction, some snarky facts, a “where are they now” update, a “mixtape” list of suggestions of similar songs and, most importantly, an interview with the principal artist in each band.

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Book Review – A Treasury of Great Recipes

A Treasury of Great Recipes
Mary and Vincent Price
Dover Publications; 50 Anv edition, 512 pages

You’d hear stories about people finding copies in used book stores. Or thrift shops where an unknowing relative had dumped the belongings of a deceased loved one, never knowing what an actual treasure they were giving away. There was a small re-pressing in 1974, but for decades, people talked about it with a bittersweet awe, for only a lucky few would ever possess it.

Until now.

Last month, A Treasury of Great Recipes by Mary and Vincent Price was republished in all its original 1965 glory.

Yes, that Vincent Price.

It seems the actor was a great gourmand, and along with his wife Mary, an enthusiastic home cook. Both were avid travellers who enjoyed trying new restaurants. Together they toured the world, eating in the best bistros and cafes, convincing chefs along the way to share their recipes, and writing a number of cookbooks together. Because if you were a chef in the early 1960s and Vincent Price showed up at the door of your kitchen, wouldn’t you give him a recipe when he asked for it?

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Book Review – Stir

Stir – My Broken Brain and the Meals that Brought Me Home
Jessica Fechtor

In February of this year, I got knocked down in the street. A complete accident, it occurred as a woman was stepping out of a shop door and wasn’t watching where she was going. She slammed into my back and sent me flying, face-first onto the sidewalk. I walked away from the fall but was left with severe muscle tears and sprains, including both shoulders. On top of an already herniated disc in my neck, the combo left me useless in terms of cooking or housework for months. Even now (mid-July) my shoulders are still very fragile, having been re-injured a number of times when I overdid something such as lifting a too-heavy item or exercising too much, too soon.

Through it all, as my husband and I ate take-out or prepared food night after night for dinner, I desperately wanted to get back into the kitchen. But I couldn’t bend my head forward to chop, lifting stockpots sent me back to recovery, and even the repetitive action of hulling a bag of peas caused a major set-back. Of all the different types of illness and injuries I’ve had over the years, I’ve never gone this long without being able to cook.

So Jessica Fechtor’s story in Stir, of how a brain aneurysm that nearly killed her, also took away the thing she loved doing most, was very relatable to me. Not the nearly dying part, but definitely the part about wanting to get back into the kitchen.

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Boralia – Historical Canadian Cuisine for the Modern Palate

Boralia
59 Ossington Avenue
647-351-5100
@Boralia_To

Smoke gets in your eyes. Just momentarily, but as we enter Boralia, a server walks past with a dish of mussels smoked in pine needles leaving a waft of wood smoke behind them. It’s a good smell – not just camp-fire-like, but green and woodsy. As other tables order the dish the smell lingers, like a less-cloying Canadiana-themed incense.

At a time when Toronto is so busy celebrating food from other countries and cultures, we often forget about the homegrown delicacies created around us. Canadian cuisine is hard to define, and as a young and growing country we tend to look forward, not back, but Evelyn Wu and Wayne Morris have built a whole restaurant around historic dishes. Morris comes to Toronto from Nova Scotia via the Okanagan, while Wu – who mostly runs front of house here – has worked in kitchens around the world from Coi in San Francisco to the infamous The Fat Duck. They met while working together in BC, later married, and moved to Toronto to open a restaurant after coming across a collection of historical recipes from Nova Scotia.

The room is elegant and modern, with subtle touches of Canadiana – menus are bound in leather, a sculpture of a wolf greets guests as they exit the washrooms – that never devolves into cutesy or twee.

Most items on the menu have a date associated with them, indicating the date of origin of the recipe. Morris and Wu have pored over historical cookbooks, but have also modernized things, so some dishes are a surprise when they appear at the table looking nothing like we expected.

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